Box 1
Container
Contains 37 Results:
Watercolor "Unpleasant Landscape". CMA 1943.223, 1942
File — Box: 1, Folder: 1
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1942
Watercolors [untitled], circa 1942
File — Box: 1, Folder: 2
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
circa 1942
Watercolor "Backward Glance" CMA 1944.247, 1944
File — Box: 1, Folder: 3
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1944
Watercolor [untitled], 1944
File — Box: 1, Folder: 4
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1944
Watercolor "Louisville Night", CMA 1947.335, 1947
File — Box: 1, Folder: 5
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1947
Necklace, 1948
File — Box: 1, Folder: 6
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1948
Necklace, 1950. May Show, 1950
File — Box: 1, Folder: 7
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1950
Necklace, 1950. May Show 1951 first prize [group] for jewelry, 1950
File — Box: 1, Folder: 8
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1950
Brooch, 1951
File — Box: 1, Folder: 9
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1951
Necklace, 1951
File — Box: 1, Folder: 10
Scope and Contents note
From the Series:
Series one consists of images of the artist's works. Most were taken by Mr. Miller to document his artistic output. May Show entries were photographed by the museum. Because the pieces were created for sale either through exhibition or on commission, the whereabouts of many of the objects is unknown. The images may be photographic prints, negatives, or slides in black and white or color. They are filed chronologically by the date of the object's creation. Pieces for which dates...
Dates:
1951