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Box 38

 Container

Contains 13 Results:

Proposals, A-F

 File — Box: 38, Folder: 1
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

Proposals, G-M

 File — Box: 38, Folder: 2
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

Proposals, N-Z

 File — Box: 38, Folder: 3
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

Anna Arnold

 File — Box: 38, Folder: 4
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

Abe Bruckman

 File — Box: 38, Folder: 5
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

Mike Costello

 File — Box: 38, Folder: 6
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

Joan Damankos

 File — Box: 38, Folder: 7
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

Paula Dubaniewicz

 File — Box: 38, Folder: 8
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

Evert Dance

 File — Box: 38, Folder: 9
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991

James Pernotto

 File — Box: 38, Folder: 10
Scope and Contents note From the Sub-Series:

Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.

Dates: 1991