Box 38
Contains 13 Results:
Proposals, A-F
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
Proposals, G-M
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
Proposals, N-Z
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
Anna Arnold
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
Abe Bruckman
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
Mike Costello
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
Joan Damankos
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
Paula Dubaniewicz
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
Evert Dance
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.
James Pernotto
Artists who wanted to exhibit a work for the Insight/Onsite exhibition were required to send a written proposal, drawings to describe the piece, and a budget. Proposals for artwork are filed alphabetically, followed by individual folders for each of the accepted artists. These folders include correspondence, detailed descriptions of the accepted pieces, and artists' biographies. The original proposals of the accepted artists are included in the Proposals folders.