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Box 17

 Container

Contains 23 Results:

Artist Mark [paper and photographs]

 File — Box: 17, Folder: 2
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: circa 1910 to circa 2000

Flux Recipes

 File — Box: 17, Folder: 3
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: circa 1910 to circa 2000

Material Catalogs and Correspondence. Bernd Munsteiner Edelstein und Schmuckgestalter, 1981-1993

 File — Box: 17, Folder: 4
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: 1981-1993

Material Catalogs and Correspondence. Billanti Castings Co., Inc., 1981

 File — Box: 17, Folder: 5
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: 1981

Material Catalogs and Correspondence. Handy & Harmon, 1947-1955

 File — Box: 17, Folder: 6
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: 1947-1955

Material Catalogs and Correspondence. Handy & Harmon - The Handy Book for Manufacturers, 1939

 File — Box: 17, Folder: 7
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: 1939

Material Catalogs and Correspondence. The Eight Precious Metals: Interpretive Materials of Jewelry Craftsmen, International Nickel Company, Inc., 1951

 File — Box: 17, Folder: 8
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: 1951

Material Catalogs and Correspondence. O'Brien Enamels for Jewelry, Carpenter & Wood Co.

 File — Box: 17, Folder: 9
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: circa 1910 to circa 2000

Material Catalogs and Correspondence. Schauer and Company, 1961-1963

 File — Box: 17, Folder: 10
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: 1961-1963

Material Catalogs and Correspondence. Stone Associates, 1949-1950

 File — Box: 17, Folder: 11
Scope and Contents note From the Sub-Series:

The Studio subseries contains the ancillary papers not used directly in the fabrication of objects and demonstrative images of their creation. This subseries is mainly divided into two sections; material catalogs and correspondence, and images of the artist in his studio. Catalogs for precious metals and stones make up the bulk of the material catalogs and correspondence. The artist in his studio contains images of silversmiths crafting objects either in the studio or classroom.

Dates: 1949-1950