Box 15

The bulk of correspondence is mostly with colleagues and former students or institutions seeking to acquire an object. No order existed when the documents came to the archives. While processing, any significant or repeated correspondence was separated into its own file.

In 1967, Frederick Miller and John Paul Miller produced “Raising a Free Form Bottle,” a film on the fabrication of one of Miller’s silver bottles. This short two-folder subseries involves the addition of sound to the film. One file contains correspondence and contract with the Society of North American Goldsmiths. The second file contains copies of the script, one handwritten and one typed. Copies of the film are in the Audio Visual Materials series.

In 1967, Frederick Miller and John Paul Miller produced “Raising a Free Form Bottle,” a film on the fabrication of one of Miller’s silver bottles. This short two-folder subseries involves the addition of sound to the film. One file contains correspondence and contract with the Society of North American Goldsmiths. The second file contains copies of the script, one handwritten and one typed. Copies of the film are in the Audio Visual Materials series.

Most of the lectures are untitled and undated. When a date, title, or location could be ascertained the lecture was separated into its own folder. The lectures span topics from general silversmithing techniques and silversmithing throughout history, to problems in contemporary silversmithing.

Most of the lectures are untitled and undated. When a date, title, or location could be ascertained the lecture was separated into its own folder. The lectures span topics from general silversmithing techniques and silversmithing throughout history, to problems in contemporary silversmithing.

Most of the lectures are untitled and undated. When a date, title, or location could be ascertained the lecture was separated into its own folder. The lectures span topics from general silversmithing techniques and silversmithing throughout history, to problems in contemporary silversmithing.

Most of the lectures are untitled and undated. When a date, title, or location could be ascertained the lecture was separated into its own folder. The lectures span topics from general silversmithing techniques and silversmithing throughout history, to problems in contemporary silversmithing.

Most of the lectures are untitled and undated. When a date, title, or location could be ascertained the lecture was separated into its own folder. The lectures span topics from general silversmithing techniques and silversmithing throughout history, to problems in contemporary silversmithing.

Most of the lectures are untitled and undated. When a date, title, or location could be ascertained the lecture was separated into its own folder. The lectures span topics from general silversmithing techniques and silversmithing throughout history, to problems in contemporary silversmithing.