Box 75
Contains 48 Results:
Reckoning with Winslow Homer: His Late Paintings and Their Influence, September-November 1990: Public Information, folder 26
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Reckoning with Winslow Homer: His Late Paintings and Their Influence, September-November 1990: Public Information, folder 27
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Reckoning with Winslow Homer: His Late Paintings and Their Influence, September-November 1990: Photos
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Real Life: Prints by Winslow Homer and George Bellows, September-November 1990: Public Information
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Yoruba: Nine Centuries of African Art and Thought, October-December 1990: Deputy Director
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Yoruba: Nine Centuries of African Art and Thought, October-December 1990: Public Information
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Korean Art: Images from the Land of the Morning Calm, October 1990 - January 1991: Public Information, folder 1
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Korean Art: Images from the Land of the Morning Calm, October 1990 - January 1991: [Asian Autumn] Public Information, folder 2
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.