Box 64
Contains 26 Results:
Bernardo Cavallino of Naples 1616-1656, November-December 1984: Photos, folder 1
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Bernardo Cavallino of Naples 1616-1656, November-December 1984: Photos, folder 2
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Bernardo Cavallino of Naples 1616-1656, November-December 1984: Photos, folder 3
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Material Matters: Fifty Years of Gifts from the Textile Arts Club 1934-1984, November-December 1984:
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Material Matters: Fifty Years of Gifts from the Textile Arts Club 1934-1984, November-December 1984: Photos
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
The Work of Atget: The Ancien Regime, January-March 1985: Public Information
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Textiles in the Daily Life of the Middle Ages, January-March 1985:
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Nocturnal Impressions, February-May 1985: Public Information
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Venice: The American View 1860-1920, February-April 1985: Deputy Director, folder 1
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Venice: The American View 1860-1920, February-April 1985: Deputy Director, folder 2
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.