Box 62
Contains 37 Results:
Fairfield Porter: Realist Painter in an Age of Abstraction, November-December 1983
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Harry Callahan Photographs, November-December 1983
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Portraiture: The Image of the Individual, November 1983 - January 1984
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Frank Stella Prints 1967-1982, December 1983 - February 1984
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
American Painting exhibition, 1983-1984 [canceled]: Registrar
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Prints by Rembrandt and His Circle, January-May 1984: Public Information
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Year in Review for 1983, February-April 1984: Public Information
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
The Photo-Secession: The Golden Age of Pictorial Photograhy in America, February-April 1984:
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Loie Fuller, April-June 1984: Public Information
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Eastward from the Rhine: Romanticism to Abstraction 1800-1925, June-September 1984: Public Information
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.