Box 13
Contains 12 Results:
Design in Scandinavia, September-October 1954: folder 1
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Design in Scandinavia, September-October 1954: folder 2
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
The Camera as a Third Eye, November 1954
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Chinese Landscape Painting, November-December 1954
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Chinese Landscape Painting, November-December 1954: Registrar's office, folder 1
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Chinese Landscape Painting, November-December 1954: Registrar's office, folder 2
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Chinese Landscape Painting, November-December 1954: Registrar's office, folder 3
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Three Renaissance Architects, December 1954 - January 1955
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Work of Jacques Lipchitz, January-March 1955
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.
Work of Jacques Lipchitz, January-March 1955: Registrar's office
This is an artificially created collection of exhibitions organized and/or held at the Cleveland Museum of Art from 1916-1992. This collection combines records from all offices involved in the planning and execution of exhibitions. Offices are identified on file names or separation sheets within files. Exhibition files from 1992 forward are retained with the records of the offices of origin which are primarily unprocessed.