Box 5

Subject files were created by Adams to facilitate writing the exhibition catalogue and determining sections of the exhibition. The subject files include text by Adams for portions of the catalogue, research materials, and photographs on a specific topic such as pedal cars or dinnerware. They also include correspondence and information from former students, collectors, and colleagues of Viktor's. The subject files are arranged alphabetically.

Subject files were created by Adams to facilitate writing the exhibition catalogue and determining sections of the exhibition. The subject files include text by Adams for portions of the catalogue, research materials, and photographs on a specific topic such as pedal cars or dinnerware. They also include correspondence and information from former students, collectors, and colleagues of Viktor's. The subject files are arranged alphabetically.

Subject files were created by Adams to facilitate writing the exhibition catalogue and determining sections of the exhibition. The subject files include text by Adams for portions of the catalogue, research materials, and photographs on a specific topic such as pedal cars or dinnerware. They also include correspondence and information from former students, collectors, and colleagues of Viktor's. The subject files are arranged alphabetically.

Subject files were created by Adams to facilitate writing the exhibition catalogue and determining sections of the exhibition. The subject files include text by Adams for portions of the catalogue, research materials, and photographs on a specific topic such as pedal cars or dinnerware. They also include correspondence and information from former students, collectors, and colleagues of Viktor's. The subject files are arranged alphabetically.

Subject files were created by Adams to facilitate writing the exhibition catalogue and determining sections of the exhibition. The subject files include text by Adams for portions of the catalogue, research materials, and photographs on a specific topic such as pedal cars or dinnerware. They also include correspondence and information from former students, collectors, and colleagues of Viktor's. The subject files are arranged alphabetically.

Correspondence has been arranged thematically as there was no original order. This arrangement seemed most logical because of the specific themes that were evident in the correspondence and in anticipation of the way researchers might approach the collection. Themes include requests for information, requests for loans, offers to tour the exhibition, the exhibition catalogue, and offers to loan objects to the exhibition.

Correspondence has been arranged thematically as there was no original order. This arrangement seemed most logical because of the specific themes that were evident in the correspondence and in anticipation of the way researchers might approach the collection. Themes include requests for information, requests for loans, offers to tour the exhibition, the exhibition catalogue, and offers to loan objects to the exhibition.

Correspondence has been arranged thematically as there was no original order. This arrangement seemed most logical because of the specific themes that were evident in the correspondence and in anticipation of the way researchers might approach the collection. Themes include requests for information, requests for loans, offers to tour the exhibition, the exhibition catalogue, and offers to loan objects to the exhibition.

Correspondence has been arranged thematically as there was no original order. This arrangement seemed most logical because of the specific themes that were evident in the correspondence and in anticipation of the way researchers might approach the collection. Themes include requests for information, requests for loans, offers to tour the exhibition, the exhibition catalogue, and offers to loan objects to the exhibition.

Correspondence has been arranged thematically as there was no original order. This arrangement seemed most logical because of the specific themes that were evident in the correspondence and in anticipation of the way researchers might approach the collection. Themes include requests for information, requests for loans, offers to tour the exhibition, the exhibition catalogue, and offers to loan objects to the exhibition.